This just in: Burner still dead! Signs of life: none. (Insert modified dead parrot thesaurus entry here.) Eventually I will work something out with the folks who built the current studio computer and figure out how to get me into a "new" one. Budgetary constraints apply.
As stated in our last entry, seven more albums from the catalog had been prepped for upload. Unfortunately the masters of two of them were compromised; and then there were five. (Not to worry; the original digital files are available to create new masters from. Which can be done, as soon as I have a burner. Therefore those two are unavailable until further notice. Some workaround may be possible. Stay tuned!)
Since last update, the following have been added to Bandcamp and are available for streaming and download:
An Awareness Of Frameworks (2010 remaster)
Planet Of Garbage
A Play Of Light And Shadow
The Old Familiar Place
David McIntire/Greg Segal: Wonder, Doubt, And Curiosity
So what's next? Good question. Most of what remains of the solo releases are things I'd been hoping to remaster before posting. Ditto for the remaining Jugalbandi- I've never been entirely pleased with the levels on the trilogy from 2000, and never been entirely pleased with the EQ on the four 2003 releases. There's the double Dog Neutral set, "In Gear", which is tempting. Still no full consensus on what Paper Bag I can or should put up, so not much progress there. There could be a lot more up; just depends how things fall out. Eventually of course, the whole catalog must be available somewhere. It may be time to make a request at Bandcamp so that I can post some of the releases with pieces longer than 30 minutes, right now those albums are in limbo. We'll see.
In case it has not become obvious, the Phantom Airship catalog is making the move to digital downloads. What might not be clear, because it has not yet been stated directly, is that physical CDs will no longer be offered here once an album is available to download. It may seem I've abandoned those who appreciate a simple physical object more. I held out as long as I could. My free time is very limited and hard to come by. Materials have become both expensive and unreliable. This is really the only way I can continue.
I prefer CDs myself. This has made the decision that much harder. My FaceBook friends may remember that I asked for an opinion on this a year or more ago. Whole lotta serious deliberation goin' on.
I will say this: there are advantages to the downloader that couldn't be had otherwise. Let's look at some.
I use the same CDRs you will be using, if you decide to burn a CD off your download. We all know that sometimes things happen with CDRs. The discs and the burners aren't infallible. If I send you a bad disc, yes, I will make you a good one to replace it. But it'll take time to get it through the mail. If you have the download, you have something identical, or nearly identical (depending on the format you choose), to what I burn the discs from. I upload WAV files to Bandcamp. They sound as good as they do on the studio computer. So, if you have these and do the burning instead of me, you burn a bad disc? Meh. Burn another one.
With the graphics files (cover and tray card), print quality will depend on your printer. But the files are the same ones I'd print your cover from. Plus, Bandcamp lets me put in extras for no charge to me or you. Like with the "Cold Sky Live at Be Bop Records" disc, I've included a high quality scan of the original gig poster as part of the download.
If you're not worried about printing things up, and maybe prefer to look at the images in greater detail, leave 'em on your computer. They look larger than the printed copies and you can examine the artwork in detail.
Bandcamp allows me to allow you to stream. Listen to it. Try before you buy. Or just get acquainted.
And last, the obvious: if you are someone who likes to listen to your music on a portable device, you're all set.
And if you really, REALLY can't abide a download, I'm an easy guy to get in touch with. Contact me personally and we'll work something out.
So now, let's get caught up. Here's a list of all the Bandcamp URLs for my music, including some which are new to this update.
My main Bandcamp page is gregsegal.bandcamp.com/ .
New downloads/streams since last update:
Demolished (song only; remixed and remastered 5/14)
Tales Of Today Will Be Tales Of Long Ago
Jugalbandi: 1999 Deep Cuts
A Man Who Was Here (remastered)
Night Circus (remastered) part one and part two
The Fourth Of The Three (remixed and remastered)
Water From The Moon (remixed and remastered)
Adventures Of Forever And Nowhere
Live At Be Bop Records 2/8/89
Building/Frank Idyll Growth
Seven more albums are prepped to be uploaded for your streaming and downloading pleasure in the near future. These are all releases which are ready to go, and which are not currently up for a remix/remaster, or are not trapped in the studio computer by its current lack of CD/DVD burner. So expect news of these further additions to the online catalog soon.
I had originally wanted to continue making the Phase 1 releases (up to '93) available in order. But the death of my burner has made it necessary to switch plans. There had already been later things up there anyway, but I'd hoped with these latest uploads to establish a better sense of history. What can you do? Can't help it, things are how they are. So for the moment, it looks like the focus will go back on Phase 2 work, ('99-'07).
Since the last post, "The Fourth Of The Three" has indeed been remixed, remastered and is now available for streaming and download at Bandcamp.
Intent on keeping this roll going, I remixed and remastered "Water From The Moon". I'm very happy with this mix/master, it's the best the album's ever sounded. "The Fourth Of The Three" and "Water From The Moon" also finally have the covers I'd meant for them to have.
But wait! That's not all! I also posted two Cold Sky albums (click on the titles to see 'em at Bandcamp): "Cold Sky Live At Be-Bop Records, 2/8/89", and "Cold Sky/In Process". Both have been remastered.
What's coming next? I don't know. But it will get a mention here!
Happy first day of spring, everyone. Fitting that the first post of the year be on this date. Of course if it had been earlier, that would have been fine too... Lots to tell. It makes me happy to type that! The Blog Of The Phantom Airship is alive and well, or at least alive, and has had a couple of entries added since the first of the year.
Bret Hart, bless 'im, has done it again and managed to coax my ass out of its couch groove. He asked me to finish up a recording he and Bob Jordan did at the beginning of the year. I did so, and behold! A new "Building" recording was born! This one is called "Frank Idyll Growth", is quite wacky and at times jarring, and can be downloaded right here, from Bandcamp.
This activity with Building got me motivated to move "A Man Who Was Here" over to Bandcamp. When I went to do so, I discovered problems with the first two tracks. I also discovered my backups were not functional! Ack! Michelle Klein-Hass came to my rescue with some backups of her own. Since I had to rebuild the master, I used the opportunity to tweak the master one more time, and it now sounds the best it ever has. The Bandcamp download has full cover art (which is the cover the way it was actually meant to look since the album's conception), and all the production notes and lyrics from this site. I hope to keep adding the back catalog there. I'd like to continue in order, and that means "Night Circus" would be next.
During the sessions for the latest "Building", I recorded, but did not use, a lengthy drum truck on the currently-under-construction super kit. It was an interesting thing to do for documentation alone; the kit already has been changed and won't sound quite like that again. But beyond that, it turned out well enough that I thought I would share it. Now titled "This Is Not A Drum Solo", it is available from Bandcamp as part of the "New Music Mondays" collection, or on its own.
I have continued to have the occasional jam with Jeffrey Von Ragan. We always have fun, and have been recording to the H2. I will most likely try to assemble something from these recordings a la the partial digital concrete mode used in "Building".
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